Editor’s Showcase: Uninvited Dreams of a Bitter Response – Ritam Talukdar

Name:
Santasil Mallik

Submission Title:
Dubki- Performances in Contact with the Ganges

Country:
India

Photographer Bio:
Santasil Mallik, 22, is from Kolkata, India. Currently I am pursuing a Masters Degree in English Literature, but I am more interested in exploring the theoretical approaches that investigate the notions of fictionality and representation in art and literature. I firmly believe all works of representation are fictional, the coexistence of representation and non-fiction is a myth. My relationship with photography, therefore, tries to work beyond the idea of documenting and representing reality. Photographs act as futile traces of the memories, reflections, and actions associated with my interactions with different circumstances. They serve as testimonies to things that cannot be accommodated in the photographs themselves. This love and hate relationship with photography, precisely because of the limits of representation of the medium, induces me to keep on exploring this marginality. I am certain that I can never fixate myself to a signature photographic style of my own because my relationship with photography is always in the state of becoming and flux.

Editor’s Showcase: Dubki- Performances in Contact with the Ganges – Santasil Mallik

Name:
Santasil Mallik

Submission Title:
Dubki- Performances in Contact with the Ganges

Country:
India

Photographer Bio:
Santasil Mallik, 22, is from Kolkata, India. Currently I am pursuing a Masters Degree in English Literature, but I am more interested in exploring the theoretical approaches that investigate the notions of fictionality and representation in art and literature. I firmly believe all works of representation are fictional, the coexistence of representation and non-fiction is a myth. My relationship with photography, therefore, tries to work beyond the idea of documenting and representing reality. Photographs act as futile traces of the memories, reflections, and actions associated with my interactions with different circumstances. They serve as testimonies to things that cannot be accommodated in the photographs themselves. This love and hate relationship with photography, precisely because of the limits of representation of the medium, induces me to keep on exploring this marginality. I am certain that I can never fixate myself to a signature photographic style of my own because my relationship with photography is always in the state of becoming and flux.

Editor’s Showcase: The Refugee Fishing Boats – Tanvir Ony

Name: Tanvir Ony Submission Title: The Refugee Fishing boats Country: Bangladesh Photographer Bio: I am a hobbyist photographer focusing on documentary and life style photography. My photography is related to people’s lives and the information that can be portrayed to help teach about a society. Submission Information: This project focuses on the Rohingya community, who […]

Editor’s Showcase: Faces of Khlongtoey – Tim Russell

Submission Information:
Home to over 100,000, and a no-go area for many more others, Khlongtoey (aka Khlong Toey, Khlong Toei) is one of the last remaining parts of ‘Old Bangkok’ within the central business district. There has been a port here since the late 1930s, and people from all over Thailand – and beyond – have flocked here ever since to live and work, many of them living in tiny shacks within easy reach of the port and market. This is the Khlong Toey ‘slum’, as it’s locally known, and which I put in inverted commas as it’s not really a fair description – it’s certainly not as squalid as the slums you’d find in, say, Mumbai or Manila, and most of its residents are as houseproud as their circumstances allow. But nevertheless it is a marked contrast to the nearby skyscrapers and shopping malls of Sukhumvit and Silom, an area of poverty, drugs, crime and ill-health that Bangkokians tend to avoid, seeing it only from the flyover that passes above the shacks. This project began with my first visit to the slums in 2015, following several visits to the market. I’d begun following the local football team – Port FC – in 2014, most of whose fans come from Khlong Toey, and their friendliness convinced me that a visit to the slums might not be as bad an idea as one might think. And I was right – yes, I found an area that was poor, run down, even squalid in places, but I also found the friendliest people I’ve met anywhere in the city; people always happy to have a chat, pose for photographs, and share their drinks with me (usually beer or Thai whisky). Since that first visit I’ve been back at least 40-50 times, either on my own or escorting visiting photographers, and that first impression has never changed – I’m always made welcome. Sadly, the news for Khlong Toey’s residents is not good, with the area due to be levelled to be replaced by yet more condos and shopping malls within the next couple of years, and the locals moved out to who knows where. To better conditions perhaps, but at the expense of what strikes me as a strong community spirit and an area that, for all its negative points, has bags of character. I’ve set up this website to put my favourite Khlong Toey images in one place and to show another side to the area, one that will hopefully persuade others to visit and experience this unique part of Bangkok before it disappears for good.